Pete Cherches blogs about food, travel, literary pursuits and the occasional dream.
Wednesday, September 16, 2009
Machu Picchu: I Refuse to Enthuse
I've always been ambivalent about travel writing, and I have no interest in writing descriptive prose about places that have been written about to death. There are better descriptions out there than I could write, anyway, and they're easy to find. Attempts to convey my impressions of well-known tourist attractions would only join multitudes of other banalities. I don't need to tell you that Machu Picchu was awe-inspiring or breathtaking; I'm sure you can find those adjectives elsewhere, thousands of times over. And if anybody tries to tell you that it was a "spiritual experience," shoot them. I don't need to tell you the history of Machu Picchu or the story of how this "lost city of the Incas" was rediscovered by Hiram Bingham. You can look it up. Instead, I'll just show you some pictures.
is the author of two volumes of short prose:
Condensed Book and Between a Dream and a Cup of Coffee, as well as several limited-edition artist's books. His work has recently appeared in the anthologies Poetry 180 and Up Is Up, But So Is Down: New York's Downtown Literary Scene, 1974-1992. His fiction and short prose work has been featured in a wide range of magazines and journals, including Harper’s, Semiotext(e), Transatlantic Review, Fiction International, and Bomb. Sonorexia, the avant-vaudeville music-performance group he co-led with Elliott Sharp in the 1980s, appeared at such legendary venues as The Mudd Club and CBGB. Cherches is a two-time recipient of New York Foundation for the Arts fellowships in creative nonfiction.
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